Ulysse Nardin
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Re: Ulysse Nardin
Baselworld 2012 - PuristSPro report: Ulysse Nardin
2012 - for Ulysse Nardin this is the first Basel fair without its energetic and charismatic leader Rolf Schnyder, who had passed away so suddenly in April 2011. As a consequence, many were uncertain about the company’s new course, some even predicted a decrease of impetus and innovation.
Gladly, this year’s fair demonstrate the opposite: Aside personal loss and grief, nothing seems to have changed, regarding Ulysse Nardin’s energy devoted to innovative technologies, the presentation of new models, and the consolidation of existing lines. Mainly responsible for that is the continuity within the company’s leadership: Already several years ago, Patrik Hoffmann, long-time head of Ulysse Nardin’s North American business, was appointed CEO and designated the successor of Rolf Schnyder in leading the company. Consequently, the business was not fatally interrupted by Rolf’s death.
For me, 2012 was the first year since thirteen years that I could not attend the Basel fair myself; a pneumonia had forced me to stay at home in the last moment. Therefore, my comments on the new models are based on my friends’ and colleagues’ observations solely. I also express my sincere thanks to Don and Francois-Xavier for supplying me the pictures they shot of the various novelties.
After Ulysse Nardin has amply demonstrated its competence to build state-of-the-art movements with complications, employing latest material and part design technologies, speculations about an own base movement were active during the last years. It is no secret that Ulysse Nardin heavily relied on base movements supplied by ETA in its most numerously produced watch lines, such as the Marine series, or the various GMT models. Since the Swatch Group announced the slow reduction of movement sales to companies not part of the group, it was clear that an alternative had to be found.
In 2011, Ulysse Nardin presented the cal. 118, a solid base movement, equipped with high-end escapement technology: while the escapement design relied on the traditional Swiss lever, the materials used are exclusive to Ulysse Nardin - anchor, escapement wheel and hairspring being made from DiamonSil, a silicium core vapour coated with synthetic diamond.
All these components are produced by Sigatec, a leading company specialised on the development and production of nano-parts from silicium, synthetic diamond - or the combination of these two materials. Ulysse Nardin owns a major share of this company, that also delivers components to many other watch manufacturers.
Closer examination of this movement made clear that it would become the new base movement of the Marine series: a power reserve display at 12, and a small second at 6, combined with a conventional date at 6 (no big date), that can be quick-set forward and backward. While up to now, a self-produced module was necessary to add the typical configuration to an ETA 2892A2, the new cal. 118 has everything on board needed by the Marine series watches.
Thus it was only a question how the new Marine chronometers would look, when finally, they were released at this year’s Basel fair. The first sight fell on the limited series Marine Chronometer in 18k pink gold case, with a white enamel dial and finely printed Roman numerals: not that much of a difference with what we are used to, I thought. The increased diameter of 45mm, however, already indicates the changes.
Not all are happy about the large case. When the first Marine Chronometer was launched in 1996, it had a diameter of a bit more than 38mm. Times and fashion have changed since, the latest variant, the Maxi Marine, already has a diameter of 43mm, still retaining the original base movement with only 25.6mm diameter. The new cal. 118 is considerably larger (about 5mm), since it was designed from the outset to be robust and reliable. It is thus not astonishing to see the case grown as well. Yet the friends of decently sized watches should not abandon all hope: With 31.6mm diameter, the cal. 118 should permit cases in the 42mm class, so maybe we will see more compact Marine Chronometers in the future.
The enamel dial/pink gold version is limited to 350 pieces.
The unlimited variant in steel finally shows a decent renovation of the well-known design: large, applied Roman numerals in polished steel, and skeletonized hands that have become typical for Ulysse Nardin. The departure from the classic design is not so radical that it would need a long time to become familiar with it.
And, finally, there is a watch we had already lively discussions about: the new Sonata Streamline. When I was able to conduct a longtime test of an early prototype of the Sonata Silicium, it was clear already that the technology to replace the traditional Swiss lever escapement of the Sonata with a silicium escapement, without having to completely change the rest of the movement, would become a standard of the Sonata one day. After the first, still limited edition of the Sonata Silicium, now the massively facelifted Sonata Streamline benefits from the new escapement technology.
http://basel.watchprosite.com/?show=nbl ... 353&fi=636
2012 - for Ulysse Nardin this is the first Basel fair without its energetic and charismatic leader Rolf Schnyder, who had passed away so suddenly in April 2011. As a consequence, many were uncertain about the company’s new course, some even predicted a decrease of impetus and innovation.
Gladly, this year’s fair demonstrate the opposite: Aside personal loss and grief, nothing seems to have changed, regarding Ulysse Nardin’s energy devoted to innovative technologies, the presentation of new models, and the consolidation of existing lines. Mainly responsible for that is the continuity within the company’s leadership: Already several years ago, Patrik Hoffmann, long-time head of Ulysse Nardin’s North American business, was appointed CEO and designated the successor of Rolf Schnyder in leading the company. Consequently, the business was not fatally interrupted by Rolf’s death.
For me, 2012 was the first year since thirteen years that I could not attend the Basel fair myself; a pneumonia had forced me to stay at home in the last moment. Therefore, my comments on the new models are based on my friends’ and colleagues’ observations solely. I also express my sincere thanks to Don and Francois-Xavier for supplying me the pictures they shot of the various novelties.
After Ulysse Nardin has amply demonstrated its competence to build state-of-the-art movements with complications, employing latest material and part design technologies, speculations about an own base movement were active during the last years. It is no secret that Ulysse Nardin heavily relied on base movements supplied by ETA in its most numerously produced watch lines, such as the Marine series, or the various GMT models. Since the Swatch Group announced the slow reduction of movement sales to companies not part of the group, it was clear that an alternative had to be found.
In 2011, Ulysse Nardin presented the cal. 118, a solid base movement, equipped with high-end escapement technology: while the escapement design relied on the traditional Swiss lever, the materials used are exclusive to Ulysse Nardin - anchor, escapement wheel and hairspring being made from DiamonSil, a silicium core vapour coated with synthetic diamond.
All these components are produced by Sigatec, a leading company specialised on the development and production of nano-parts from silicium, synthetic diamond - or the combination of these two materials. Ulysse Nardin owns a major share of this company, that also delivers components to many other watch manufacturers.
Closer examination of this movement made clear that it would become the new base movement of the Marine series: a power reserve display at 12, and a small second at 6, combined with a conventional date at 6 (no big date), that can be quick-set forward and backward. While up to now, a self-produced module was necessary to add the typical configuration to an ETA 2892A2, the new cal. 118 has everything on board needed by the Marine series watches.
Thus it was only a question how the new Marine chronometers would look, when finally, they were released at this year’s Basel fair. The first sight fell on the limited series Marine Chronometer in 18k pink gold case, with a white enamel dial and finely printed Roman numerals: not that much of a difference with what we are used to, I thought. The increased diameter of 45mm, however, already indicates the changes.
Not all are happy about the large case. When the first Marine Chronometer was launched in 1996, it had a diameter of a bit more than 38mm. Times and fashion have changed since, the latest variant, the Maxi Marine, already has a diameter of 43mm, still retaining the original base movement with only 25.6mm diameter. The new cal. 118 is considerably larger (about 5mm), since it was designed from the outset to be robust and reliable. It is thus not astonishing to see the case grown as well. Yet the friends of decently sized watches should not abandon all hope: With 31.6mm diameter, the cal. 118 should permit cases in the 42mm class, so maybe we will see more compact Marine Chronometers in the future.
The enamel dial/pink gold version is limited to 350 pieces.
The unlimited variant in steel finally shows a decent renovation of the well-known design: large, applied Roman numerals in polished steel, and skeletonized hands that have become typical for Ulysse Nardin. The departure from the classic design is not so radical that it would need a long time to become familiar with it.
And, finally, there is a watch we had already lively discussions about: the new Sonata Streamline. When I was able to conduct a longtime test of an early prototype of the Sonata Silicium, it was clear already that the technology to replace the traditional Swiss lever escapement of the Sonata with a silicium escapement, without having to completely change the rest of the movement, would become a standard of the Sonata one day. After the first, still limited edition of the Sonata Silicium, now the massively facelifted Sonata Streamline benefits from the new escapement technology.
http://basel.watchprosite.com/?show=nbl ... 353&fi=636
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Re: Ulysse Nardin
Ulysse Nardin Acquires Ebel’s Chronograph Caliber 137
Ulysse Nardin has taken another step toward manufacturing independence by purchasing the rights to Ebel’s proprietary Caliber 137, a chronograph movement originally developed for that brand in 1995 and recently used in Ebel’s 1911 BTR collection of men’s watches. WatchTime talked about the new acquisition with Ulysse Nardin CEO Patrik Hoffman, who elaborated on the company’s plans for the nearly 20-year-old caliber and its little-known connection with Ulysse Nardin’s own perpetual calendar movement.
Ebel has in recent years put more of an emphasis on its ladies’ models and shifted its focus away from high-end mechanical watches for men, which is presumably the reason that the company, according to Hoffman, approached U.N. about purchasing the rights to Caliber 137. “Ebel does not want mechanical chronographs in its collection and will not use that movement anymore,” Hoffman said. “We acquired all of the ebauches, the tools, the plans, and even hired five employees from Ebel that were working on making that movement.”
The movement, which Hoffman reveals will be renamed Ulysse Nardin Caliber 150, will be manufactured at the firm’s facility in La Chaux-de-Fonds, Switzerland, where it makes all of the components for its existing movements. Ulysse also has a facility in Le Locle, another Swiss watchmaking hub.
Hoffman also explained why Caliber 137 joining the Ulysse Nardin family is a logical development from a technical standpoint. “When we started, nearly 20 years ago, making our first perpetual calendar, the Perpetual Calendar Ludwig, we weren’t able to manufacture the baseplate,” he says. “So we worked with Lemania, which was working on one for Caliber 137 with Ebel. Ulysse Nardin used the same baseplate for the perpetual calendar movement — which is still used in our GMT Perpetual — that Ebel used for its chronograph movement.”
The soon-to-be-renamed movement will also provide a platform for Ulysse Nardin to add additional complications in the future, Hoffman says. The brand intends to use it a new watch that is planned to launch by the end of 2012.
http://www.watchtime.com/2012/04/ulysse ... liber-137/
Ulysse Nardin has taken another step toward manufacturing independence by purchasing the rights to Ebel’s proprietary Caliber 137, a chronograph movement originally developed for that brand in 1995 and recently used in Ebel’s 1911 BTR collection of men’s watches. WatchTime talked about the new acquisition with Ulysse Nardin CEO Patrik Hoffman, who elaborated on the company’s plans for the nearly 20-year-old caliber and its little-known connection with Ulysse Nardin’s own perpetual calendar movement.
Ebel has in recent years put more of an emphasis on its ladies’ models and shifted its focus away from high-end mechanical watches for men, which is presumably the reason that the company, according to Hoffman, approached U.N. about purchasing the rights to Caliber 137. “Ebel does not want mechanical chronographs in its collection and will not use that movement anymore,” Hoffman said. “We acquired all of the ebauches, the tools, the plans, and even hired five employees from Ebel that were working on making that movement.”
The movement, which Hoffman reveals will be renamed Ulysse Nardin Caliber 150, will be manufactured at the firm’s facility in La Chaux-de-Fonds, Switzerland, where it makes all of the components for its existing movements. Ulysse also has a facility in Le Locle, another Swiss watchmaking hub.
Hoffman also explained why Caliber 137 joining the Ulysse Nardin family is a logical development from a technical standpoint. “When we started, nearly 20 years ago, making our first perpetual calendar, the Perpetual Calendar Ludwig, we weren’t able to manufacture the baseplate,” he says. “So we worked with Lemania, which was working on one for Caliber 137 with Ebel. Ulysse Nardin used the same baseplate for the perpetual calendar movement — which is still used in our GMT Perpetual — that Ebel used for its chronograph movement.”
The soon-to-be-renamed movement will also provide a platform for Ulysse Nardin to add additional complications in the future, Hoffman says. The brand intends to use it a new watch that is planned to launch by the end of 2012.
http://www.watchtime.com/2012/04/ulysse ... liber-137/
- antonis_ch
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- Megalos
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Re: Ulysse Nardin
εξυπνη κινηση απο την Ulysse Nardin ....τελειος συνδυασμος ..
θα βοηθησει και την αξιολογη Ebel πιστευω
θα βοηθησει και την αξιολογη Ebel πιστευω
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- DragonAce
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Re: Ulysse Nardin
έξυπνη κίνηση για την Ulysse Nardin, κρίμα για την EBEL που υποβαθμίζει το ρόλο της
καλιά στα όρη μοναχός στο δάσος με τσι πρίνους, παρά σε κήπο με πολλούς ψεύτικους άσπρους κρίνους
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Re: Ulysse Nardin
ULYSSE NARDIN Marine Chronograph Voyage BLEU
There are two bezel / dial variations and what looks like an 18kt gold ship's medallion on the caseback. More details to follow when I have them . . .
http://oceanictime.blogspot.com/2012/05 ... oyage.html
There are two bezel / dial variations and what looks like an 18kt gold ship's medallion on the caseback. More details to follow when I have them . . .
http://oceanictime.blogspot.com/2012/05 ... oyage.html
- antonis_ch
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- Δημοσιεύσεις: 13388
- Εγγραφή: Παρ Μάιος 15, 2009 9:17 pm
- Has thanked: 48 times
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Re: Ulysse Nardin
Ulysse Nardin Classico Limited Edition Santa Maria
The Santa Maria, Christopher Columbus’ boldest sail merchant ship, was originally named La Gallega because she was built in Pontevedra, Galicia, in Spain’s north-west. It seems the ship was known to her sailors as Marigalante, Spanish for “Gallant Maria”.
The flagship vessel, used for the explorer’s first expedition in 1492, was larger than her two sisters, La Niña and La Pinta. Although just a second hand or possibly even third hand small sailing vessel, and not designed for ocean going exploration, the Santa Maria is one of the most important ships in history for what she represented – fearlessness.
Now the Classico Limited Edition Santa Maria from Ulysse Nardin pays tribute to the Santa Maria and its story of exploration and adventure. Using the ancient cloisonné technique, paired with the art of enamelling, every detail has been carefully crafted by Ulysse Nardin artisans in vivid colour.
Each of the watches is carefully plated with 18-carat rose and white gold. The case of the watch measures 40mm in diameter and bears an AR-coated sapphire crystal.
The backdrop of deep blue on the dial helps to highlight the ship with its proud masts and sail, a flag at its top waving freely in the wind, a splash of water coming up from the greenish blue sea to meet the deep grain of the wooden “nao”, or cargo ship.
The Classico Limited Edition Santa Maria took more than 50 working hours and 26 individual baking processes to complete each handmade cloisonné dial. Each dial is then crafted by a skilled enameller.
The process is a complicated mix of skill and steady hand, and is one of the most intricate and difficult artistic disciplines to learn. Ulysse Nardin revived this lost decorative technique, and there are less than a handful of artists that are masters of the art.
The watch is powered by the UN calibre 815 self winding movement with a power reserve of 42 hours, and has been COSC Chronometer certified.
The Classico Limited Edition Santa Maria is available in a limited edition of 30 pieces, each in 18-karat rose gold and white gold.
The Santa Maria stood proud as a testament to discovery and adventure, crossing the Atlantic Ocean in a voyage that remains etched in world history. The Classico Limited Edition Santa Maria timepiece by Ulysse Nardin. With a limited edition of just 30 pieces, it’s going to be almost as difficult to get hold of one as it was to reach America.
http://www.clicktempus.com/blog/ulysse- ... anta-maria
The Santa Maria, Christopher Columbus’ boldest sail merchant ship, was originally named La Gallega because she was built in Pontevedra, Galicia, in Spain’s north-west. It seems the ship was known to her sailors as Marigalante, Spanish for “Gallant Maria”.
The flagship vessel, used for the explorer’s first expedition in 1492, was larger than her two sisters, La Niña and La Pinta. Although just a second hand or possibly even third hand small sailing vessel, and not designed for ocean going exploration, the Santa Maria is one of the most important ships in history for what she represented – fearlessness.
Now the Classico Limited Edition Santa Maria from Ulysse Nardin pays tribute to the Santa Maria and its story of exploration and adventure. Using the ancient cloisonné technique, paired with the art of enamelling, every detail has been carefully crafted by Ulysse Nardin artisans in vivid colour.
Each of the watches is carefully plated with 18-carat rose and white gold. The case of the watch measures 40mm in diameter and bears an AR-coated sapphire crystal.
The backdrop of deep blue on the dial helps to highlight the ship with its proud masts and sail, a flag at its top waving freely in the wind, a splash of water coming up from the greenish blue sea to meet the deep grain of the wooden “nao”, or cargo ship.
The Classico Limited Edition Santa Maria took more than 50 working hours and 26 individual baking processes to complete each handmade cloisonné dial. Each dial is then crafted by a skilled enameller.
The process is a complicated mix of skill and steady hand, and is one of the most intricate and difficult artistic disciplines to learn. Ulysse Nardin revived this lost decorative technique, and there are less than a handful of artists that are masters of the art.
The watch is powered by the UN calibre 815 self winding movement with a power reserve of 42 hours, and has been COSC Chronometer certified.
The Classico Limited Edition Santa Maria is available in a limited edition of 30 pieces, each in 18-karat rose gold and white gold.
The Santa Maria stood proud as a testament to discovery and adventure, crossing the Atlantic Ocean in a voyage that remains etched in world history. The Classico Limited Edition Santa Maria timepiece by Ulysse Nardin. With a limited edition of just 30 pieces, it’s going to be almost as difficult to get hold of one as it was to reach America.
http://www.clicktempus.com/blog/ulysse- ... anta-maria